The Age of the Understatement | 
 enlarge | Artist: The Last Shadow Puppets
Label: Domino Recordings
Category: Music
List Price: £13.99
Buy New: £7.40
You Save: £6.59 (47%)
New (11) from £7.40
Rating:  32 reviews
Sales Rank: 340
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.4 x 4.7 x 0.3
EAN: 5034202020820
ASIN: B00151HZA6
Release Date: April 21, 2008
Availability: Usually dispatched within 1-2 business days
Shipping: International shipping available
Condition: Brand New - Factory Sealed - Import Edition - Shipped from Florida via USPS First class international mail. We ONLY sell what we have in stock. NO back orders here.
| |
| Tracks:
| • | The Age Of The Understatement | | • | Standing Next To Me | | • | Calm Like You | | • | Separate and Ever Deadly | | • | The Chamber | | • | Only The Truth | | • | My Mistakes Were Made For You | | • | Black Plant | | • | I Don't Like You Any More | | • | In My Room | | • | Meeting Place | | • | The Time Has Come Again |
|
| Similar Items:
|
| Editorial Reviews:
Amazon.co.uk Review
Famous for demonstrating how less is more when it comes to publicity, it comes as no surprise that The Age of the Understatement, the first side project from Alex Turner of the Arctic Monkeys, should appear to no great fanfare. The Last Shadow Puppets are Turner and Miles Kane, formerly of Monkeys tourmates The Little Flames and now in the Rascals, aided by producer (and here, drummer) James Ford, also of Simian Mobile Disco. Inspired by the widescreen orchestral Sixties pop of Scott Walker and legendary arranger David Axelrod, they enlisted the London Metropolitan Orchestra under the aegis of Canadian Owen Pallett (aka Final Fantasy and an erstwhile member of the Arcade Fire's string section). The result is entirely successful, owing as much to the romanticism of Richard Hawley and the eclectic approach of the Coral as any sixties precursors. The thundering title track is pure Scott though, "I Don't Like You Anymore" is twisted pop in the best Cosmic Scouse tradition and the beautiful "Meeting Place", brilliantly enhanced by Pallett's orchestration, already sounds like an old classic. "Standing Next to Me" is genuinely exciting, "Calm Like You" is a new take on Turner's familiar style while "The Chamber" even sees him crooning. The Age of the Understatement is a fine, convincing album that proves Turner's talent is truly adaptable and marks Kane out as a talented songwriter too. --Steve Jelbert
|
| Customer Reviews: Read 27 more reviews...
 A shadow of greater bands December 30, 2008
M. Speller (Herts, England)
The Last Shadow Puppets enlisted the help of Scott Walker for this Love/Misunderstood/Coral inspired release. It isn't the most accessible of albums, filled with tracks that follow the same west coast usa 1970 formula. Apart from the obvious singles I feel the rest of the tracks are not diverse enough or contain enough quality to let this album flourish.
An album that lacks any real diversity or uniqueness fails to engage the listener and after the first 5 tracks, I lost interest in this at precisely this point. I struggle to work out what Alex Turner and co are trying to achieve with this attempt. Is it an artistic statement, a homage to their past music preferences or maybe an attempt to break away from the stereotype of their previous work?
Whatever the aim is, I feel it lacks conviction and any real depth of quality. Love, Misunderstood and The Coral all are favourites of mine, and this album should sit nicely with them. In fact if I played this along side them it might just work in places, but it feels even more outdated than the 1960's efforts.
This album fails by being too samey and lacks the quality to pull off the same trick 12 times over. Alex Turner is well known as the cocksure cheeky lad from Sheffield who fronts the Arctic Monkeys, and I believe that is where he excels and he should remain. He deserves some credit for being brave enough to break his mould and to push his and his fans limits, the Mercury nomination is essentially for just that, but this is where this should end.
*** Like: The Coral, The Misunderstood, Love ***
 To say this is a good album would be an understatement. December 24, 2008
Guitar Heroine (Liverpool, England.)
Like others here, I am not so keen on the Arctic Monkeys but this album is much more my scene. It's a much more mature sound but the vocals are your typical Alex Turner.
This sounds like a pared down, unplugged, grown-up Arctic Monkeys record. It's not especially ground-breaking; it doesn't sound especially far removed from others like it but in spite of this, it's an enjoyable album and easy to listen to. My personal favourite track is Standing Next To Me.
 Beat that idea to death December 20, 2008
Matteus
If The Teardrop Explodes had covered the theme from 60's kids TV series 'The Flashing Blade' during their early gigs, some of their first album might have ended up sounding like this.
The kitchen sink has been thrown at the production so its a shame that so many of the tracks are much of a muchness. Less could have been so much more in terms of both tempo and arrangement.
 SUPERB! November 27, 2008
J. Reed (derbyshire, uk)
This album is a great surprise. I didn't know what to expect when i bought it. I have the arctic monkeys albums and I like them, however I find them a little too much after a while, each song sounds similar, where as this album is full of great tracks which are written well and the production is, well wow. It has a big sound to it what with the orchestra and that. Each track has the feel that it can be released as a single and thats the mark of a great album. Most definitely the best album I have listened to for a good 10 years!
 Overstated November 14, 2008
Neil
1 out of 1 found this review helpful
I got this for nothing, fortunately. I can't understand all the comparisons with Scott Walker. Yes, there is an orchestra involved and the arrangements are very full and reminiscent of the sixties but the voice!!! Aargh! It's horrible. And the lyrics are pathetic. Overrated, overstated, overblown. It gets two stars for the very good musicianship and interesting arrangements. But that voice...
|
|
|
