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Singles 1993-2003 | 
 enlarge | Artist: Chemical Brothers
Label: Virgin
Category: Music
List Price: £15.99
Buy New: £4.99
You Save: £11.00 (69%)
New (23) Used (12) Collectible (4) from £2.89
Rating:  5 reviews
Sales Rank: 7069
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 93142
UPC: 724359314228
EAN: 0724359314228
ASIN: B0000C7PSK
Release Date: January 5, 2004
Availability: Usually dispatched within 1-2 business days
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| Tracks:
| • | Song To The Siren | | • | Chemical Beats | | • | Leave Home | | • | Setting Sun | | • | Block Rockin' Beats | | • | Private Psychedelic Reel | | • | Hey Boy Hey Girl | | • | Let Forever Be | | • | Out Of Control | | • | Star Guitar | | • | Test | | • | Get Yourself High - Chemical Brothers & K-Os | | • | Golden Path - Chemical Brothers & The Flaming Lips |
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| Editorial Reviews:
Amazon.co.uk Review
To remain relevant after a decade in the music industry is rare indeed; for a dance act, it's virtually unique. Singles 93-03 ably demonstrates how the Chemical Brothers have managed it. Having first carved a reputation as DJs the Dust Brothers in the early 1990s, the two home-counties history graduates narrowly avoided calling themselves the London Dust Explosion before spearheading big beat, becoming a huge live draw, collaborating with Noel Gallagher and having Glastonbury Festival founder Michael Eavis play "Hey Boy, Hey Girl" at his wedding. It's been 10 years of fun, frolics and gigantean left-field beats for Ed Simmons and Tom Rowland and, as this faultless singles collection testifies, continual reinvention. From the seething siren, pounding breaks, breathy vocals and spellbinding post-acid electronica of album opener "Song to the Siren" to the ingenious collaboration with the Flaming Lips, "The Golden Path", Tom 'n' Ed have somehow managed to carve tracks that appeal equally to radio, clubs and the live arena. Alongside the cement-cracking bass of "Leave Home" and "Block Rockin' Beats" comes the high-inducing sonic debauchery of "The Private Psychedelic Reel" and dancefloor filler "Star Guitar", to name but a few of the many highlights. Ingenious, boundary-baffling stuff, this compilation offers a hypnotic historical tour of one of the most creative careers in dance music. --Christopher Barrett
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| Customer Reviews:
bargaub October 7, 2008
J. Wright
This was such a bargain. Arrived in excellent condition, really quickly and was cheaper to buy as a CD than just downloading the tracks I really like from any download site.
Glorious Dance Pioneers November 19, 2007
A. Marczak (Didcot)
1 out of 1 found this review helpful
There are few bands who can be considered to be peerless in their musical creativity. Like so many bands before and since, though, their back catalogues are obliged to be condensed into singles packages for the mass market, which is fine by me.
Song To The Siren sets the tone, and the message is that you must turn the volume up louder. By the time you reach the musical beanstalk that is The Private Psychedelic Reel, you might be physically in your lounge or kitchen, but mentally you will be in a souped up Citroen Saxo doing donuts at your local Asda.
This is a great album for the casual fan, the kind of person that tunes in to their live performance at Glastonbury, and turns it up loud on Radio 1!
Incredible sound June 3, 2006
Mrs. M. B. A. Parker (E.G. West Sussex)
3 out of 3 found this review helpful
this album is eveything you could want from the chemical brothers with some world class number ones and some others that you may not have heard of.The tracks also improve with listening and there isnt a disappointing track on the album
Superb compilation January 3, 2004
Denis Cadogan (Harrow,London)
13 out of 14 found this review helpful
This faultless celebration of dance music's most important names since Kraftwerk demonstrates the diversity and imagination that it is possible to produce within the much maligned genre.
Kicking off with three singles off their fine debut album 'Exit planet dust',this CD continues to impress with the excellent Noel Gallagher collaboration 'Setting sun', the classic 'Block rockin beats' and the otherworldy 'Private psychadelic reel' off the superb 'dig your own hole' album.
The pattern here at this point begins to prove how Tom Rowlands and Ed Simons are peerless singles artists,dance music or not.
The award winning(courtesy of Q magazine) Surrender album from 1999 is also their best,as it contains the second Gallagher featured track 'Let forever be'(a blatant nod to the beatles' 'Tomorrow never knows'),the mind-altering 'Hey boy hey girl' and the infectious 'out of control'.Their criticised follow-up,'come with us' gives us the underrated 'Star guitar' and the well meaning but overlong 'the test',featuring Richard Ashcroft from the Verve on vocal duties.The two new tracks here are no match for the earlier stuff,Wayne Coyne from The Flaming Lips proves he really can't sing on 'The golden path',but 'Get yourself high' is better,a successful effort at replicating Paul Oakenfold's starry eyed surprise single.
Overall,absolutely classic stuff from the duo who even rock muisc fans truly admired.If you don't have any of the albums mentioned above,then this is an essential purchase.
 Ho Hum October 25, 2003
Jonathan Muirhead
1 out of 2 found this review helpful
It seems rather odd for a "dance" band to have something as boringly conventional as a "greatest hits" album, but when the dance band in question is The Chemical Brothers, there's an embarrassment of riches to choose from. As the title suggests, this album traces a chronological line from their arrival on the scene in 1993 with the still-stunning "Song To The Siren", through the commercial zenith of the "Dig Your Own Hole" and "Surrender" albums with the slightly formulaic rock/dance splicing of "Setting Sun" (arguably the best thing Noel Gallagher's ever done, including his work with Oasis) and the heavenly end-of-the-century track "The Private Psychedelic Reel" and the punkish Donna Summer tribute "Hey Boy Hey Girl". It draws to a conclusion with only a dissappointing two tracks from last year's "Come With Us" (Star Guitar and The Test), arguably their most cohesive work since "Exit Planet Dust" and finishes off with two new tracks, the joyous religion-inspired Flaming Lips collaboration Golden Path and the rather less exciting Get Yourself High neither of which, while quality recordings in their own ways, add much to the Chemical sound which we haven't heard already. All in all, this is a good story-so-far album, which may also serve as a fine introduction to the band for casual buyers.
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